Todd Rundgren

Todd Rundgren was one of rock's eternal mavericks and cult figures. Born in Phildelphia, he absorbed a variety of music growing up and was particularly fond of the Beatles, Philadelphia soul, and Gilbert & Sullivan-all three of which would inform his work in the future. After a couple of garage outfits, he formed his first major band Nazz in 1967.Setting a pattern for Rundgren's career, they got more insider praise than commercial success. The Nazz were best known for a double A-sided single, "Open My Eyes"/"Hello It's Me"-the first a Who-sounding rocker, the second a soul ballad that he'd later recut with more success. As the '60s ended, Rundgren signed with influential manager Albert Grossman who built his Bearsville label around him, promoting Rundgren as a multi-talented whiz kid. He began a prolific career as a record producer-early landmarks included the Band's Stage Fright, Badfinger's Straight Up (on which he took over for George Harrison), and the first sessions for Janis Joplin's Pearl. Meanwhile he launched his solo career-first under the band name Runt, then as a soloist who could play every instrument. The 1972 double album Something/Anything? had a wealth of finely crafted pop songs, with Rundgren playing everything on three sides (the fourth including the hit, live-in-studio remake of "Hello It's Me"). Setting another career pattern, he followed this much-admired album with a major departure: 1973's A Wizard/A True Star was a kaleidoscopic mind-trip with many short songs in a 55-minute collage. Soon afterward he formed Utopia, initially a high-chops progressive band (with Rundgren on lead guitar) that played like a pop version of the Mahavishnu Orchestra. His studio concepts got more ambitious; 1975's Initiation, largely about his discovery of Eastern spirituality, was at 68 minutes one of the longest single LPs of all time. He continued his production career, producing a punk landmark in the New York Dolls' debut, a mainstream hit in Grand Funk's We'